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Atrocity Exhibition

J.G. Ballard, We Gotta Have A Little Talk

Concerning your methods of courting the muses. INTERVIEWER I’m curious to know how material from the “real world” comes to be incorporated into the rather enclosed spaces of books such as High-Rise, Crash, or Concrete Island? BALLARD Well, before starting Crash, for example, in 1969, I staged an exhibition of crashed cars at the New J.G. Ballard, We Gotta Have A Little Talk