I think Jill took it down (or it takes itself down after a while), but she mentioned me in one of her Periscope broadcasts. Thank ye!
Top 10 Science Fiction Films of All Time
Pretty good list. I personally would take Contact out—I like the movie but the tropey characterizations were almost unwatchable—and Prestige, since I’ve never heard of it. I’d replace them with Bladerunner and The Empire Strikes Back.
Listen in as a few bourgeoisie agents and academics get upset about not meeting aliens. Why was it ever labeled a paradox, anyways? It’s just an unanswered question with plenty of plausible explanations.
What is a good explanation of Boltzmann Brains?
I find these more fascinating.
Marathon man preps for second live stream, with multiple iPhones, iPad
It’s an old story, but the guy’s narcissism called to me from beyond the void.
Could Donald Trump Save the Internet?
Net “Neutrality” is retarded and is the worst idea since adult coloring books or California.
SpecFaith Reviews: Wonder Woman: The Heroine We Need
Eh? I guess. Unless the writer styles herself a goddess, it’s odd to claim Wonder Woman is an accurate representation. No one claims Thor as such for men; that would be silly. I do, because I’m tall, sexy, buff, blue-eyed Nordsman*.
Low-carb diet can have similar effect on brain as ecstasy
I have never experienced this. Warning: this is a Daily Mail link and the page load time is astronomical.
The Only Way to Fix Healthcare Insurance in the U.S.
Eh, not really. The big reason GitHub works is because the results are immediately testable, as application code normally goes. Scott Adams is just proposing a glorified suggestion box. The best way to “fix” healthcare is to remove the bureaucracy from the equation: person A pays person B for a good or service, then person B gives it to them. It works for shoes, bananas, and Oriental rugs.
NASA announces the Kepler space telescope has identified 219 potential new worlds
Speaking of bureaucrats, there has to be at least one of these worlds with life that exists without any bureaucrats at all. Imagine that…
I remember one of my communications professors slipping and mentioning stuff like this once in a while, and Rashad’s career was part of those non grata unmentionables of media politics.
* One and a half of these things are true.
The Wisecrack Youtube channel has a great video on the philosophy of Ghost in the Shell (the original one). It’s actually a very Western movie because it’s Hegelian through and through, and Hegel is as Western philosophy as it gets.
I left a comment on the video that I will cross-post here, for those interested.
Sure, I can explain.
There are numerous instances of Mamoru Oshii using reflections to embody Motoko’s search for her counterpart, or antithesis. Not necessarily with literal mirrors but with imperfect, reflective surfaces like glass or water. If you pay close attention you can maybe pick out a dozen or so instances. An obvious instance of the reflection motif is in the diving scene where Motoko rises to the surface and it looks like she “meets” herself: until the images meet, you can’t really tell who the Major is from her reflection. Her conversation with Batou after that scene goes hand in hand with that kind of confusion.
You’ll notice too that the reflection becomes “reality” when the Puppermaster hacks into the shell, especially where they are laying side-by-side on the museum floor. That was the physical meeting of the thesis and anti-thesis. You’ll also notice that the Major and the Puppetmaster have reverse existences: the Major was a human who became fully robotic except for her brain, while the Puppetmaster was essentially a program looking for a human body to achieve the full range of existence, even death.
Regarding the end scene when the Major-Puppetmaster figure is in the chair inside Batou’s safehouse: there’s a strange shot her in the chair which quickly cuts to the same shot, but a mirror image of it. The second shot is a different kind of quality than the first, so the effect isn’t quite as jarring. This was Oshii’s way of telling us by imagery that the synthesis is complete and the Major and Puppetmaster are now the same being. This scene is examined in this video, at mark 30:40 and onward: /watch?v=l9v8FzQ2btg
Hope that helps.
EDIT: Clarified some things.
EDIT 2: Contrast this with the 2017 Ghost in the Shell, which I also like, though not as much and for different reasons. Both films deal with issues of self-identity, but in different ways: Oshii’s Major lacks an identity because of the nature of her humanity, where ScarJo’s Major lacks an identity because of what others have done to her. In the former, existence is deceptive, in the latter, humanity is deceptive.
EDIT 3: Is Project 2501 a Boltzmann brain?
EDIT 4: No edit. Just a what up to my party peeps.